released: 9th November 2016
There was once a band that on Friday was to play a concert the band was the rolling stones,they were two, one playing the violin the other the trumpet They played a song called "Windlass of Love" and it sound like this ...
|1.||I (memoria divida)||17:13|
released: 18th July 2016
July 28, 2012, Zürich, Rote Fabrik, "Interventions 2012" (organized by Christian Hänggi)
2012³ actualized by Manfred Werder (Curated & recorded by: Isaac Linder)
|1.||2012³ (actualized by Manfred Werder)||25:08|
|2.||Data (remixed by Isaac Linder)||25:08|
|3.||Inexistent Volume (Manfred Werder & Isaac Linder)||20:47|
released: 11th July 2016
|1.||sounds like russian voice traffic||20:18|
|2.||J94UK weak voices in the background||8:00|
|3.||If you click on Stereo Mix to highlight it, then select properties, does it show as being enabled?||6:39|
Artwork by Santiago Miranda Nam
Mastered by M. Earnshaw
released: 28th June 2016
released: 21st June 2016
In the tea-room, the fear of repetition is a constant presence. The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular.
released: 31st May 2015
Music traces the border between sound and silence. It erases and redraws the boundary with a fine line, or, erects a wall which is soon knocked down - thus determining the breadth of the expanse by building obstructions. We measure distance by limiting it; we grow by pushing this limit as far as we can imagine.
Artwork by Tricia Bishop
|1.||Remnants of a Day Suspended||19:04|
released: 27th March 2015
We don t know what the unconscious is, but every so often something wells up in us. It sounds pompous nowadays to talk about the unconscious, so maybe it s better to say chance. I believe in a deeply ordered chaos and in the rules of chance.
released: 26th February 2015
any recording is not simply a representation of musical content or immediate context but always potentially evidence of relating anew to place and time. A repeated playing is always exposed to time, and thus always offers such evidence.
|1.||Fragments of Form||5:27|
|3.||Seen as Static, Seen as Moving||8:59|
|5.||Fields at Sea||10:01|